Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)"
Katsushika Hokusai
1830/33
Katsushika Hokusai’s much celebrated series, Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei), was begun in 1830, when the artist was 70 years old. This tour-de-force series established the popularity of landscape prints, which continues to this day. Perhaps most striking about the series is Hokusai’s copious use of the newly affordable Berlin blue pigment, featured in many of the compositions in the color for the sky and water. Mount Fuji is the protagonist in each scene, viewed from afar or up close, during various weather conditions and seasons, and from all directions.The most famous image from the set is the "Great Wave" (Kanagawa oki nami ura), in which a diminutive Mount Fuji can be seen in the distance under the crest of a giant wave. The three impressions of Hokusai’s Great Wave in the Art Institute are all later impressions than the first state of the design.
| Title | Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" |
|---|---|
| Artist | Katsushika Hokusai |
| Date | 1830/33 |
| Medium | Color woodblock print; oban |
| Style | Japanese (culture or style) |
| Dimensions | 25.4 × 37.6 cm (10 × 14 3/4 in.) |
About Katsushika Hokusai
Katsushika Hokusai’s woodblock print The Great Wave is one of the most famous and recognizable works of art in the world. This work is from Hokusai’s much-celebrated series Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei), a tour-de-force that established the popularity of landscape prints, which continues to this day. Hokusai spent the majority of his life in the capital of Edo, now Tokyo, and lived in a staggering 93 separate residences. Despite this frenetic movement, he produced tens of thousands of sketches, prints, illustrated books, and paintings. He also frequently changed the name he used to sign works of art, and each change signaled a shift in artistic style and intended audience.
When he was nineteen, he began working at the studio of Katsukawa Shunshô (1726–92), a well-known designer of actor prints. Initially, Hokusai followed in his teacher’s footsteps and produced prints of popular Kabuki actors, but his insatiable curiosity about different ways of seeing the world led him to study a multitude of artistic styles. These included the native Rinpa and Kano schools, as well as foreign modes based on Dutch imports such as oil paintings, copperplates, telescopes, and other optical devices. These influences can be found in Hokusai’s art, but it is his mastery and integration of styles that point towards his own personal, entirely new style. This maturity can best be seen in his Thirty-Six Views of Mount Fuji (Fugaku sanjûrokkei), series, which includes The Great Wave. The Art Institute owns three versions of this famous work, one of which retains the pink sky that is faded in almost every other copy. The museum’s collection includes a total of nearly 600 works by Hokusai.
Scholars have observed that Hokusai’s obsession with Mount Fuji was tied to his personal quest for immortality—the artist felt his artwork would transcend the divine, if only he could live long enough. He wrote that “at [age] one hundred and ten, every dot and every stroke will be as though alive.” Although he only lived to the age of about 90, his works have achieved true immortality through their widespread recognition.