Still Life with Geranium
Henri Matisse
1906
Like his artistic hero, Paul Cezanne, Henri Matisse merged the traditional and the avant-garde. In Still Life with Geranium, he transformed a simple still life into a populated Arcadian landscape painting, rendered in the brilliant color, thick paint, and rapid brushwork characteristic of the group of painters known as the Fauves (French for “wild beasts”). Matisse was recognized by critics as the leader of this group.This composition is one of contrasts—the pale palette and light brushwork in the upper half of the picture are juxtaposed with the darker colored, heavily painted lower half; the firmly planted pose of the female figure is contraposed with the almost-fleeing figure of the male; and the red vegetables grown near Paris are set near ceramic objects from exotic, faraway places. One of many still-life paintings in which Matisse incorporated his own figurative sculptures, here the artist challenged his viewers’ expectations by rendering his modeled figures with minimal color and simple lines. Probably represented as plaster casts, these figures would later be made in bronze editions by the artist; versions of Woman Leaning on Her Hands (on the right of the geranium) and Thorn Extractor (on the left) are also in the collection of the Art Institute.This is one of thirty-five works that comprise the Winterbotham Collection. Click here to learn more about the collection.
| Title | Still Life with Geranium |
|---|---|
| Artist | Henri Matisse |
| Date | 1906 |
| Medium | Oil on canvas |
| Dimensions | 100.3 × 81.5 cm (39 1/2 × 32 1/8 in.) |
About Henri Matisse
Henri Matisse (1869–1954) was a pioneering figure in 20th-century art, whose bold innovations using color and form as structural, almost sculptural elements, redefined the visual language of modern painting, drawing, and sculpture.
Born in northern France to a family of weavers, Matisse inherited an affinity for craft, color, and pattern that informed his artistic approach. While he initially studied law, he abandoned it at age 20 to pursue art in Paris. Building on the innovations of Post-Impressionists like Paul Cezanne, Paul Gauguin, and Vincent van Gogh, Matisse created paintings characterized by vivid hues and loose, expressive brushwork. In response, critics pejoratively referred to Matisse and his like-minded peers as the “Fauves” or “wild beasts.” This departure from traditional representation laid the foundation for five decades of experimentation. As Matisse wrote in his 1908 essay “Notes of Painter”: “Expression, for me, does not reside in passions glowing in a human face or manifested by violent movement. The entire arrangement of my picture is expressive.”
Throughout his career, Matisse was profoundly informed by travel—from Southern Europe to North Africa and the isles of France. In 1917, he first visited the southern French city of Nice and began his celebrated series of Nice interiors. These works, filled with sensuous color, patterned textiles, and Mediterranean light, marked a shift toward a more stylized and decorative means of representation as exemplified by Interior at Nice (1919 or 1920).
In the decades between the two World Wars, Matisse worked across painting, drawing, and sculpture. His sculptural work often distilled the human figure to its essential shapes, emphasizing fluidity and balance over realistic detail, as seen in the bronze sculpture Seated Nude (1922–29, cast 1951). After World War II, health issues limited his mobility, leading to a transformative shift in his practice. From bed or a wheelchair, he pioneered his cut-paper technique, creating the vibrant Jazz series, published as an artist book in 1947, and later the monumental cut-outs.
In a career marked by ceaseless innovation, Matisse considered his monumental painting Bathers by a River (1909–10, 1913, and 1916–17), in the Art Institute’s collection, one of the five most pivotal works of his career.
The Art Institute is proud to have been one of the first American museums to present Matisse’s work to audiences in the US with the 1913 Armory Show and have long dedicated exhibitions to the pioneering artist, including most recently Matisse: Radical Invention, 1913–1917 as well as the upcoming Matisse’s Jazz: Rhythms in Color.